You can also return
films to our drop-box at the
Roxy Cinema in Miramar.
Subgenre Sampler
It's Always Fair Weather (1955)- Dir. Gene Kelly, Stanley Donen
Feat. Gene Kelly - An American musical satire, shot in CinemaScope and Eastmancolor, with music by Andre Previn. It was one of the last major dance–oriented MGM…
Kismet (1955)- Dir. Vincente Minnelli
Feat. Howard Keel, Ann Blyth - An Arabian–Nights style musical, with Howard Keel attempting to woo wicked wizar's wife Ann Blyth.
Love Me or Leave Me (1955)- Dir. Charles Vidor
Feat. Doris Day, James Cagney - Multiple Oscar–nominated biopic of singer Ruth Etting, played here by Doris Day in a more substantial role than usual. Story chiefly concerns…
Lucky Me (1955)- Dir. Jack Donohue
Feat. Doris Day, Robert Cummings, Phil Silvers - Showbiz musical comedy with Doris Day paired once again with CALAMITY JANE tune smiths Sammy Fain and Paul Francis Webster.
Oklahoma! (1955)- Dir. Fred Zinnemann
Feat. Gordon MacRae, Gloria Grahame, Gene Nelson… - Ground–breaking Rodgers and Hammerstein musical, includes many classic numbers.
Pete Kelly's Blues (1955)- Dir. Jack Webb
Feat. Jack Webb, Janet Leigh, Edmond O'Brien… - Musical set in 1920's Kansas which blends jazz, gangsters and political corruption. Directed by and starring Jack Webb as a cornet player who is…
A Star Is Born (1954)
- Dir. George Cukor
Feat. Judy Garland, James Mason - All–time great musical melodrama, with actress Judy Garland's star eclipsing hubby James Mason's.
Brigadoon (1954)- Dir. Vincente Minnelli
Feat. Gene Kelly, Cyd Charisse - Overlooked Gene Kelly musical, with Kelly discovering a magical Scottish village.
Carmen Jones (1954)- Dir. Otto Preminger
Feat. Dorothy Dandridge, Harry Belafonte - Blazing screen version of George Bizet's "Carmen" classic opera uniquely staged in the Deep South with an all–black cast and new lyrics by…
Glenn Miller Story, The (1954)- Dir. Anthony Mann
Feat. James Stewart, June Allyson, Louis Armstrong… - A creditable star–biography of the big–band leader and trombonist, which, verging on the overly sentimental, is saved by its reverance to…
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