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HiFi’s Film Reviews

353 Films have been rated or reviewed by HiFi.

GravityGravity (2013)Aro Favourite
3 stars (Good Enough) It flew by, it looks great, but I couldn\'t help thinking it\'s just an episode of \'I Shouldn\'t Be Alive\' with out–of–this–world production values.
DaveDave (1993)
4 stars (Very Good) Hopeful, Capra–esque comedy. Wonderful cast. \'Heartwarming\' in the best sense.
BattleshipBattleship (2012)
2 stars (Good Try) Damn, our curiosity has landed us in deep do–do and only Navy heroism (and firepower) can save us....truly awful, I suppose, but I enjoyed its bargain–basement Bruckheimerness.
Magic MikeMagic Mike (2012)
3 stars (Good Enough) Immediately engaging, but sags badly in the middle and leaves the characters looking rather lifeless. However, Tatum\'s fantastic dancing and the pretty cinematography are pleasant distractions...
Advise and ConsentAdvise and Consent (1962)
4 stars (Very Good) Political skulduggery since has far outstripped this, but still a gripping, expertly assembled piece with a great ensemble cast. The real star: Sam Leavitt\'s mobile camera and Cinemascope frame.
Heat, TheHeat, The (2013)
3 stars (Good Enough) Formulaic, but the two leads give laugh–out–loud value. Women wasting scumbags – that kind of makes this a sequel to 'Zero Dark Thirty', huh?
Wild Bunch, TheWild Bunch, The (1969)Aro Favourite
5 stars (Exceptional) Lives and breathes with a fierce vitality. A masterpiece.
We Bought a ZooWe Bought a Zoo (2011)
3 stars (Good Enough) Eye–wateringly conventional storytelling, but appealingly performed and stunningly photographed (Rodrigo Prieto). Enjoyable, undemanding fare.
Star Trek - Into DarknessStar Trek - Into Darkness (Star Trek XII) (2013)Recommended
4 stars (Very Good) More of a TRUE Star Trek movie than the previous one: under all the sexed–up rebootedness there\'s a good old artery–clogging slab of Roddenberry cheese. I enjoyed every minute.
Paradine Case, TheParadine Case, The (1948)
2 stars (Good Try) Stodgy and overlong, but great supporting cast and photography (Lee Garmes). Worth seeing just for Joan Tetzel, Laughton perving on Ann Todd, and Barrymore conveying a whole, sad relationship in a couple of lines, a couple of expressions.

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