Au Hasard Balthazar
Aroview: Robert Bresson's immediately recognisable minimalist style is here lent to one of the few films whose central character is a donkey.
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3 stars (Good Enough) Like Mouchette, Bresson here asked cinema goers to look at the cruelty of people doing the things they do to one another. Yes it's pretty, but seriously critics, stop saying the Donkey gave an amazing performance. ~artsfiend
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