The Devil, Probably
“A Dostoyevskian story of a tormented soul, presented in the stylized manner of a medieval illumination”~J. Hoberman
Aroview: Distinctive late-period inclusion into the incredible canon of films from director Robert Bresson (DIARY OF A COUNTRY PRIEST), following a group of youths in the milieu of post-1968 Paris, preoccupying themselves with politics, religion, romance, music, and drugs.
Central to the story is a young man who reacts to capitalism and materialism by embarking on a philosophical and spiritual journey that edges dangerously towards nihilism. A fascinating, disturbing portrait of modern existential turmoil which turns the director's prior commitment to formal precision somewhat on its head.
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