The power of film is used to outstanding effect to breach the walled garden within which two tyrants keep their children in increasingly disturbing surreal isolation.
Take a deep breath before diving into this gore–drenched masterpiece, where the bouzouki's drone reverberates throughout a set awash in primary colours. Delirious!
Psychonauts from the 1960s wreak havoc on the 1980s, starting with those closest to them. The shocking anti–climax detracts heavily from the otherwise trippy visuals and soundscape.
Jay (Maskell)'s escalating instability effectively builds tension, as do the intimate camera shots. But the domestic and professional violence erodes our sympathy for him: another bad person who suffers.
More dreary than dreadful on first viewing, the utterances of Sutter Cane (Prochnow) sustained the horror long after the movie finished. Carpenter's soundtrack was more heavy metal guitar than cool synths, more distracting than engaging.