- Still WalkingA drama of powerful simplicity that beautifully harmonises the messy dynamics of a family unit. If there were imperfections, I must have missed them.
- I Am LoveA film best described with three syllable superlatives, and one that made other arthouse wannabes look ordinary.
- Where the Wild Things AreEven though we've read the book hundreds of times, Spike Jonze takes you to an alien otherworld that is also painfully, joyfully human.
- Bright StarJane Campion rekindles her own flame by returning to corsets and a love triangle. Her impressive feat here is turning poetry into compelling cinema.
- Dear ZacharyDevastating true life crime story, goes where fiction cannot possibly go. I burst into tears on the way home.
- Exit Through the Gift ShopWhether it be a stunt or a prank, it's either way a highly entertaining, thought-provoking sleight of hand.
- Looking For EricKen Loach lightens up without compromising his dogma. Like the other football film of the year, The Damned United, a cracking yarn.
- The Imaginarium of Doctor ParnassusOne might need to know something about Terry Gilliam to fully appreciate this as his magnum opus. My kids enjoyed it too.
- NineOkay, so I contrived this to be number nine. I like to be dazzled and this musical lived up to its tantalizing trailer. Be Italian!!
- The Puffy ChairExpectations weren't high for this no-budget indie, but it turned out to be a model of three-friends-and-a-camera film-making.
Any of these could be there too: Sin Nombre, The Road, Moon, Anvil, In The Loop, The Last Station, A Single Man, North Face, Anything for Her, Louise-Michel, Bunny and the Bull, World's Greatest Dad, Extract, Mao's Last Dancer, Kick-Ass, Inception, and more…
- Syndromes and a CenturyOne might describe Weerasethakul's film-making as "sleepwalking", and this is my favourite of his waking lifes. Languid and mesmerising, it's a kind of anaesthetic to the pain of movie mediocrity.
- Two LoversAnother scrupulous mood piece from the most distinctive American director working today. Discreetly artful modern romance is made especially good by Joaquin Phoenix's jittery performance.
- Still LifeChina's poet of globalisation recites another verse of astonishing clarity on the country's restless socio-economic landscape.
- Still WalkingThe dramatic triumph of the year, and without a whiff of histrionics or hot air. Humanist cinema at its quietest and most revealing.
- The White RibbonAn entirely credible yet contemporary history of violence from one of the great interrogators of world cinema.
- Blind MountainNeo-realist rape-revenger angrily exposes China's slave trade in kidnapped women sold for marriage. Delivers the most cathartic ending of any film this year.
- HumpdayGood-humoured and engaging betrayal of the mumblecore movement, at a pinch ahead of The Puffy Chair (also starring the loveable Mark Duplass).
- Fantastic Mr. FoxWes Anderson's stilted, button-down comedies often resemble indie comic strips - reason why this finicky animation works so exquisitely.
- ThirstHardcore undead values make a comeback: blood, lust, and nihilism the amoral fibre of Park's vampire movie for unromantics.
- Up in the AirA fine, soberly scripted road movie (via airplane), about recent economic turbulence. Chipper newbie Anna Kendrick steals all Clooney's scenes and then some.
And suchlike: Bright Star, Animal Kingdom, Ponyo, The Most Dangerous Man in America, We Live in Public, Kisses, The Puffy Chair, The Pacific, Modern Family…
- Syndromes and a CenturyGently experimental masterpiece whose idle riffs were never less than compelling.
- Still LifeSly chronicle of lives trapped in a cruel economy.
- Still WalkingUnassuming family drama whose power is of the cumulative kind.
- Regular LoversShot through a gauze of opiates and silent film, and in spite of its air of defeatism, Garrel's portrait of the artist as a somnambulist is actually quite stirring.
- In the City of SylviaUnsettling and odd. Defiantly un-categorisable.
- World's Greatest DadSour satire whose timely arrival - shortly after the Michael Jackson grief-circus - was more than welcome.
- The White RibbonPleasingly ambiguous. Haneke's best film since Code Unknown.
- In the LoopBruising satire of meatheaded men behind the curtains.
- The Secret of the GrainEnergetic family drama with a real sting in its tail.
- The Hurt LockerSuperior war film that's slyly subversive.
Further faves: The Most Dangerous Man in America, Thirst, Extract, Girl by the Lake; Love, Lust & Lies…